"According to several Gershwin scholars, Gershwin was influenced by the Yiddish Theater and other popular Jewish music. An example of this is the famous tune ‘S Wonderful. It shows many similarities to Goldfaden’s Jewish tune, “Noach’s Teive”. Both songs have almost exact copies of the same tune, and partly even the same notes. Another of Gershwin’s songs that has resemblance to Yiddish music was “My One and Only” from the 1927 show of Funny Face. “Seventeen and Twenty-One” from Strike Up The Band has a similar melody to “Der Pach Tanz” and “Schuster and Schneider Tanz”.
There were other influences from Jewish music on his work. It has been pointed out that Gershwin’s tunes are almost all melody, a characteristic of a lot of religious and secular Jewish music. Moreover, many of his songs are written -- like much Jewish music-- in a minor key. For example, Gershwin’s title song from the show Funny Face is based on a minor third, which is interval of music containing a total of three half steps. Another example of Gershwin’s use of the minor third is the song “In the Mandarin’s Orchid Garden”, used in the early version of the 1929 play Show Girl. Some of George Gershwin’s songs even resemble Biblical prayer chants. An example of this is “It Ain’t Necessarily So” from Porgy and Bess. This song is similar to the prayer that you chant after you read the Torah at your bar/bat mitzvah and at every Sabbath. Since there is enough evidence, I believe that Gershwin’s being Jewish affected his music. "
from http://www.ilperetz.org/graduates/adam_benaroya.htm
Talking to children about God
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